SfN18 Celebrates Brain Awareness

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With this year’s Society for Neuroscience (SfN) annual meeting now in full swing, downtown San Diego couldn’t be more bustling. Everywhere you turn, street signs, store windows, and flyers read “Neuroscience 2018” to encourage visitors to check out at least one of the many events happening at the San Diego Convention Center.

Helping to kick off the meeting on Saturday was the Brain Awareness Campaign reception and poster presentation. Alongside the reception stage, shared by numerous Brain Awareness Week “influencers,” were aisles lined with more than 40 colorful poster boards created largely by neuroscientists at various stages of their careers to showcase their neuroscience outreach initiatives.

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Eric Kandel is Alan Alda’s Podcast Guest

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Image courtesy of Alda Communication Training Co.

On the latest episode of the Clear + Vivid podcast, host Alan Alda, well-known actor, writer, and, in recent years, crusader of science outreach, sits down with old friend and Dana Alliance for Brain Initiatives member Eric R. Kandel, director of the Kavli Institute for Brain Science at Columbia University and author of The Disordered Mind: What Unusual Brains Tell Us About Ourselves. Kandel speaks to Alda about his work, the satisfaction of connecting with audiences, and fleeing Austria in the aftermath of its annexation to Nazi Germany.

The podcast focuses on communication and connection. It’s through conversations with individuals holding mastery in various fields that Alda guides the listener, stopping to appreciate peaks and valleys of the art form. In this, Alda and Nobel Laureate Kandel find and sustain a relaxed stride, offering listeners morsels of wisdom: The importance of being mindful of your audience, focusing on one person and changing your approach based on their responses (favorable or not); the role of laughter in forming connections; and the delicate dance of simplifying your ideas to a lay audience without treading on and distorting the science. Continue reading

Santiago Ramón y Cajal: The Artist as Scientist

Santiago Ramón y Cajal is “the most famous scientist about whom very little is known,” said Eric Himmel, the speaker at Thursday night’s talk about the man whose prolific drawings helped revolutionize the field of neuroscience. But by the end of the evening’s event, the audience walked away with a much better understanding of how an aspiring artist, steered into medicine by his doctor father, found a way to merge his two passions.

Himmel, a publisher who worked on last year’s book, The Beautiful Brain: The Drawings of Santiago Ramon y Cajal, and collaborated on the accompanying travelling art exhibit of the same name, was privy to more than 4,000 images from Cajal—drawings and photos—and the selection he chose to accompany his talk really brought the story to life.

Cajal, born in 1852 in Aragon, Spain, was already practicing watercolors at a level way beyond my high school renderings by the time he was ten. Sent to the provincial capital, Huesca, at age 12 to attend school, he further explored his artistic interests, taking art classes and learning about photography from a friend.

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A watercolor painted by Cajal at age nine or ten

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Discovering the Art of the Brain

New imaging techniques let scientists and doctors see what is going on inside our brains in better detail than ever before. These images help develop a better understanding of the brain and its disorders, but what if we looked at them as art?

In honor of Brain Awareness Week (March 13-19), Mount Sinai’s Friedman Brain Institute opened their 2017 “Art of the Brain” exhibition to celebrate the beauty of the brain. Researchers took on the role of artist and displayed brain-inspired pieces at the Grady Alexis Gallery in New York City.

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Brain tumors by Anthony B. Costa, Ph.D.; Holly Oemke; Leslie Schlachter; Jillian Beroza; and Joshua B. Bederon, M.D.

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Science Meets Art in New Kandel Book

Creativity (2).jpgWe don’t typically think of science and art as rooted in similar methodologies or techniques. Science is considered a strict, fact-based study of the world around us, while art is a no-rules expression of creativity. By thinking of the two disciplines as distinctly different, there has not been much study of their similarities.

Dana Alliance member Eric R. Kandel, M.D., noticed the lack of interdisciplinary study of artistic and scientific methodologies and used it as the foundation for his new book, Reductionism in Art and Brain Science: Bridging the Two Cultures. The book examines modern neuroscience alongside modern art, focusing on how both disciplines use reductive techniques. In a recent interview with the Wall Street Journal about his book, Kandel said:

This is reductionism—to take a complex problem and select a central, but limited, component that you can study in depth. Rothko—only color. And yet the power it conveys is fantastic. Jackson Pollock got rid of all form.

[In neuroscience] you have to look at how behavior is changed by environmental experience…I began to realize we’ve got to find a very simple learning situation…I looked around for an animal that had the kind of [simple] nervous system I would like. Aplysia [has] the largest nerve cells in the animal kingdom.

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